Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch her and you'll see calm in her eyes; listen to her and you'll sense torment in her heart. Olsen gave us a preview of her third record on that October day; she wouldn't tell us the title, but she did say the word "Burn" with a hint of the title in the words to a song she'd sing.
David Crosby may have one of the most cherished voices in rock history, but it's rare for listeners to hear it alone. His new solo studio album, Croz, is only his fourth such release in more than 50 years of making music.
Grammy-winning artist Angélique Kidjo is one of the biggest names in African music, and at 53, she's still moving at the speed of light. Her latest album, Eve, is out Tuesday and includes collaborations with some fellow stars: Kronos Quartet, the Luxembourg Philharmonic and Dr. John.
Originally published on Mon February 3, 2014 9:39 am
How many choruses does it take to turn a party song into an engine causing social change? Is it possible to honor American cultural traditions while dismantling the traps and habits that make them restrictive? Every so often a new voice engages these basic questions in subtle, exciting new ways. Alynda Lee Segarra, the 27-year-old guiding light of the New Orleans-based band Hurray For The Riff Raff, is this year's champion.
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz. It was called "F.T.B." then, though it later acquired words and a singer and was retitled "Gonna Be Alright" on the record which won the 2013 Grammy for Best R&B Album. That in itself provides a sense of the worlds to which Glasper has access; depending on your point of view, he either freely traverses or explodes those boundaries.