A drum from the Argentine Pampas fuels the music of Sofia Rei in this video: The way Franco Pinna has it incorporated into a traditional drum set serves as a musical metaphor for the music Rei performs alongside Pinna and guitarist/bassist JC Maillard.
Paul Van Haver — the son of a Belgian mother and a Rwandan father — was raised by his mother in a French-speaking suburb of Brussels. He rarely saw his father, and he struggled academically. When his mother insisted he take up an instrument, he chose the drums.
The Beatles may be an odd place to begin a Cate Le Bon conversation, but I remember being struck by the way four guys from Liverpool could sing without their English accents. That's true of most pop singers, whose words often come out sounding more American than anything else. But that's not true with Cate Le Bon. Her phrasing is completely tied to her Welsh dialect — in fact, her first record was in Welsh.
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When you hear a musical recording that's scratchy and distant, you might naturally assume it's old: a relic from the early days of sound recording. But what would modern music sound like were it subject to the same limitations that musicians faced in those days?
That's the question posed by The 78 Project, which gives musicians the chance to record using 1930s technology.
Coming up through the Greenwich Village folk scene, John Hammond collected the work of some of the greatest blues artists of all time. On his latest album, that music is presented as bare-bones and honestly as possible: just him, his guitar, his harmonica and a deeply appreciative audience.
The lilting voice of Rachel Ries comes to us courtesy of many different landscapes: the wide open spaces of South Dakota, the equatorial humidity of Africa, the bucolic green of Vermont and the managed urban chaos that is Brooklyn.
(SOUNDBITE OF MUSIC)
RACHEL RIES: (Singing) Time, I forgiven you, time. You were songs in my head, so I threw you over my little shoulder and you land, you landed on the floor...