The Outfit, TX are a trio from Dallas who came together at the University of Houston. Dorian and Mel have been partners since middle school, and they met JayHawk in a freshmen dorm. The three of them sat down with Microphone Check hosts Ali Shaheed Muhammad and Frannie Kelley in the Austin sunshine, cracked a few Lone Stars and opined on Texas funk, Texas weather, church and their business plan. They also spoke about the career stage they're at right now:
Kronos Quartet is celebrating 40 years of playing music together — and to mark the occasion, they're playing a celebration concert at Carnegie Hall in New York tomorrow night. Since their founding, the San Francisco-based string quartet has become one of the most visible ensembles in classical music. The players have done it by championing new and underheard music, and by coming up with a business model that was unheard of for a chamber group four decades ago.
Originally published on Mon March 31, 2014 5:15 pm
Microphone Check co-hosts Ali Shaheed Muhammad and Frannie Kelley spoke to Young Chop in the backyard of a store on the east side of Austin, Texas. Even in the midst of SXSW, the Chicago producer was selling beats and putting in studio time. He took a rare break to talk about studying songs from the '70s, Polow da Don's snare and encouraging up-and-coming artists, including those who step to him at the Texaco.
Malta, the island nation 50 miles south of Sicily, may be small, but it's home to one of the biggest stars in opera, tenor Joseph Calleja. And like his country's name, which may originate in the Greek word for honey, Calleja's voice is a potent mix of Italianate passion and sweetness. Just listen to how he pulls the volume back to a slender golden ray of tone several times in Tosti's gorgeous "Ideale," and especially the word "disciogliea" in the Puccini aria that closes this performance.
For the millennium, in 2000 American composer John Adams completed a compelling, large-scale oratorio based on the nativity story called El Niño. Now he's composed a companion piece, The Gospel According to the Other Mary, a Passion oratorio mounted with his usual collaborator, the stage director and librettist Peter Sellars.