Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

"Quirky" is a descriptor that seems to have stuck to Danish composer Carl Nielsen, born 150 years ago on June 9, 1865.

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

Great fado singers sound as if they carry the weight of the world's sadness. They don't just wear their hearts on their sleeves — they bare their souls.

It was December 1990 — more than a year before the first Anonymous 4 album was released — when NPR invited four slightly shy women into our studio to sing 13th-century Christmas music. Back then, we already knew the manifold beauty of their sound, its purity and accuracy, was something unique.

Now, some 25 years and 21 albums later, the a cappella vocal quartet is calling it quits at the end of 2015. But not before one final visit to NPR.

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