During the 1960s, Wayne Shorter came to the fore not just for his talent on saxophone, but also for the compositions he created. Whether with Art Blakey's Jazz Messengers or with Miles Davis' quintet, or on his own string of solo albums, Shorter's harmonic conception, sense of space and bending of music-theory rules destined many of his tunes to become jazz standards.
Norah Jones fans likely remember Come Away With Me — the 2002 recording which introduced her smoke-infused twang to the world. That album, like all of hers since, came out on Blue Note Records, merging her voice with those of major jazz artists of yesterday and the present.
In a stretch of Blue Note albums throughout the 1950s, '60s and even early '70s, alto saxophonist Lou Donaldson, now 87, emblematized the hard bop and soul jazz that we now consider "straight-ahead." The old dog has resisted certain new tricks in music — "no fusion, no confusion" is his motto — but he's certainly expanded his palette of dirty jokes to include, well, modern medicine. At the Blue Note at 75 concert, Donaldson warmed up the crowd and gave it some of his classic greasy polish. Sweet Poppa Lou was accompanied by organist Dr.